Blog

Tumi's Tête Savante

We presume you’ve had Tumi and the Volume’s latest album, Pick A Dream, as much on repeat as we had this year. This the video for its opening track. Directed by filmmaker Khalid Shamis and 340ml member Tiago Correia-Paulo. Graphics are by French artist Hippolyte.

    New Clothes

    We’re tinkering with our design. Stick around for a few days while we’re figure this out. In the meantime, we’ll keep posting. It may also help to follow us on Twitter: @africasacountry.

    Africa and contemporary art

    I am no contemporary art expert. Sometimes one has to start with a disclaimer. The term and whatever definition whoever gives to it have been on that awkward zone where I have felt that I should be equipped with more specific knowledge to say even something quite generic about it. Also, my intuitive and somewhat […]

    'See me on television' (in Lesotho)

    From Maputsoe, Lesotho comes a new video for Kommanda Obbs’s ‘Hona Joale’, recorded in the city of Maseru and on the Thaba Bosiu sandstone plateau (where the previous–under the rule of King Moshoeshoe in the nineteenth century–capital used to be). The chorus goes something like this: “I have been broke for a long time, standing on […]

    Congo votes

    Over the past week, it was hard to find an article published in a major international press outlet not looking at the build-up to today’s presidential elections through the lens of fear and/of violence. With the exception of a few, most foreign journalists didn’t make it outside of Kinshasa (citing logistical problems). People did get […]

    The afterlife of African studio photography

    Is African studio photography, Cape Town art writer Sean O’Toole asks in frieze magazine, dying out? The answer, non-subscribers, is maybe. Everywhere in the modern world the business of professional photography is in decline. O’Tool argues that studio photography has suffered the economies of the ‘digital revolution’ and the rise of the mobile phone camera. According to […]

    The Belfast Connection

    I recently interviewed the Northern Irish filmmaker Phil Harrison (credit: “Even Gods“), who is crowd-funding his first feature, “The Good Man,” set in Ireland and South Africa.  The film tells the stories “of a young banker in Belfast and a teenager living in a Cape Town township. When their lives unexpectedly collide, their impact on one […]

    Global Genre Accumulation

    If there's an underground dance scene or marginalized community nearby, Diplo or some DJ like him has or probably will "discover," re-frame, and sell it to audiences in another part of the world.