Over the past week, it was hard to find an article published in a major international press outlet not looking at the build-up to today’s presidential elections through the lens of fear and/of violence. With the exception of a few, most foreign journalists didn’t make it outside of Kinshasa (citing logistical problems). People did get killed in the Congolese capital on Saturday, and in Lubumbashi today, but the way this violence creeped into the international headlines clouds the calm and smoothness of the election process in other parts of the countries, as reported by Congolese citizen journalists on their blogs, in their local papers, or on their Facebook pages. Congo is more than two cities. Other journalists tackled it from afar: The Financial Times, for example, is reporting the #DRC elections from Nairobi? That’s 2 days driving to Kinshasa.

For reports by local journalists outside Kinshasa, read Now AfriCAN (North Kivu), Local Voices (Bunyakiri, South Kivu), Mutaani FM (also in Kivu), Radio Okapi (MONUSCO’s website and radio channel) and Le Congo. (If you want images and reports from Kinshasa other than the foreign ones, there is Lingala Facile.) And when the votes have been counted by the end of the week, refocus on what’s happening outside the Congolese political theatre. Change won’t come from the government. Most Congolese realized a long time ago. Ask the rapper Alesh. In the video and song below he calls out the country’s politicians “qui concoctent dans le noir” [plotting in the shadows] and urges his fellow countrymen (“all heirs to Patrice Lumumba”) to wake up: “Instead of growing old with analysis, I dare to obstruct those who dream of paralyzing [Congo].”

http://vimeo.com/32594362

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.