I won’t bother to unpack this commercial, but this is exhibit A for the case against uncritical boosterism and identity politics. Coca Cola Kenya hijacks “the Africa is booming” discourse to sell more soft drinks. Here’s their cynical sales pitch:

It’s not hard to see why Rumbi Katedza’s first feature has been described as a Zimbabwean ‘Sex and the City’. Four high-flying twenty-something women spend a good chunk of the movie hanging out in trendy Harare bars talking sex, dating, and marriage. There’s kissing, laughing, gossiping and some great outfits. Luckily, unlike the HBO series, there’s no annoying voiceover offering throwaway insights every five scenes.

In South African director Charlie Vundla’s “How to Steal 2 Million,” Johannesburg is equated with “a jungle.” Main protagonist, middle aged Jack–fresh out of jail and looking for a job and opportunities–compares the city unfavorably to New York City, where, in contrast, people “are in it together.” Mostly shot in empty streets or in dark interiors and at night, the Johannesburg of the film lives up to this characterization. But it’s not just the main character who pines for a projected version of New York City; the film itself longs for its double, adapting and mirroring New York’s association with film noir.

In her first order of business since being inaugurated as Malawi’s new president on Saturday, Joyce Banda fired the country’s top policeman. No reason was given for the firing, but the BBC reports that the police chief, Peter Mukhito, was in charge last year during anti-government protests over the worsening economy.

From the Otelo Burning soundtrack (we still owe the soundtrack a review), here’s ‘Walk on Water’ by Reason. The film about a group of young South African surfers, set in 1989, comes with an official mixtape.

In the introduction to The World According to Bylex, Filip De Boeck and Koen Van Synghel describe the Congolese artist Pume Bylex as “not interested in the day-to-day reality of Kinshasa. [He] turns his attention to what lies beyond the horizon of the visible and the tangible (…) a world with perfection and harmony at […]

Mali’s on our mind. Mostly because of the confusion. Reports from Bamako abound, while there’s still very little information available from the north. Malian artists in the diaspora, it seems, are as confused. (Check Mokobe’s site for example.) Earlier this week, Tuareg band Tamikrest gave a shoutout to “our friend” Ben Zabo. (Is it true […]