The World of Congolese artist Pume Bylex

In the introduction to The World According to Bylex, Filip De Boeck and Koen Van Synghel describe the Congolese artist Pume Bylex as “not interested in the day-to-day reality of Kinshasa. [He] turns his attention to what lies beyond the horizon of the visible and the tangible (…) a world with perfection and harmony at its centre.”

Pume Bylex is showing new work at the Halle de la Gombe (Kinshasa) until April 28 and from May 23 to July 21 at the Revue Noire gallery (Paris).

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.