343 Article(s) by:
Tom Devriendt
Tom Devriendt was an editorial board member of Africa is a Country before there was an editorial board.
Friday Bonus Music Break, N°6
The Road Down to ‘Africa’
Tinariwen speaks on the coup in Mali
Eyadou: Our music was created under the same circumstances as the American blues. It was created in exile. We’ve been living for years as exiles between Algeria, Libya and Niger since the 1960s until 1990.
Mina: Our people have been dying because of bombardments by the Mali army. They’re nomads. Not rebels. People who have nothing to do with the war. They don’t make war.
Eyadou: The Tuaregs want independence. This is nothing new. We’ve wanted this since the French have left. For thirty years we have big problems: we don’t have hospitals, schools... We don’t feel Malian. We live under the same [Mali] flag, but we don’t consider ourselves true Malians. (...) The coup in Mali serves us because the people will start looking at Mali. They will direct their attention to Mali and see what’s happening there. People will start to understand Mali’s reality. Many people knew what was happening there but closed their eyes to it. (...) From Timbuktu to Gao, the border between Niger and Algeria ... that is our country, that is our territory, that is where our families live. That belongs to us. We’re not colonizing anything; we have been colonized ourselves.
Asked about the Libya-Gaddafi-Al Qaeda-Tuareg connection:Mina: We’re not bandits. We’re not terrorists. We’re a people who claim their rights. Our rights have been ignored for more than 50 years by the Malian state. Our people fighting there right now are no Al Qaeda people. It’s true that some among them have returned from Libya, but they just returned to their homes. They were born in our region, left, and have now returned.
Eyadou: Our cause is here, now, and it’s a cause that won’t go to sleep.
If you’ve been following Tinariwen and reading (or listening to) their lyrics, this doesn’t come as a surprise. What was new to me though, were the numbers cited in the VRT program’s debate after the interview. Estimates are that Libya returnees joining the Tuaregs' ranks numbered less than 200 (some of the Gadaffi soldiers also joined the government's army before the coup), bringing along their weapons, but apparently enough to defeat the 7000 men strong Malian government army -- and take over half of the country (including Timbuktu and Gao).
Cheikh Amadou Bamba Day
* Marguerite Seger is a New York based photographer of Sri Lankan and French decent, born and raised in Sweden. Her photography, she writes, "is versatile yet with a strong personal style". Seger has exhibited regularly the passed years both in solo and group shows. She describes her work as "urban, raw, yet romantic", shooting anything from MMA fighters to jeans ads, music videos, boxers and short films. More of her photographs here and here.French Tropicalism
Music Break. Rabbit

Cabinda is a Conflict Zone

My favorite photographs N°2: Scott Williams
My first photo, above, was taken in Westridge, a suburb of the infamous Mitchells Plain in Cape Town. This particular location is a consistent favourite for DJ's, graffiti artists, breakdancers and MC's who are the organizers behind Park Jams. These sorts of events provide the opportunity for collaborations and interactions between people from areas separated by large distances. This image is also proof of the opportunity to examine some of the standard architecture templates used to execute the Group Areas Act's strategy.
[/caption]
This photograph of Baby L was taken during the Hip Hop Connected show at the Artscape Theatre in 2005. This was the first hip hop show ever allowed on the Artscape stage since the inception of South Africa's "Democratic Era". Interestingly, the show played to a packed house on a fraction of the budget provided to the Theatre's Ballet productions.
[/caption]
This particular piece of graffiti by Legendary artist Falko referenced a R50 note. To add a touch of whimsy to the shot I asked several people passing by whether they could hold up their currency. Eventually, I found a willing participant.
[/caption]
Bellville Middestad has been known as "Little Mogadishu" for a while because of the influx of Somali business people. Bellville is a junction of many intersecting transport routes in Cape Town and due to its concentration of travellers has logically become a profitable place to settle, especially for the Somali community whose businesses are often the target of xenophobic attacks. Ironically, these businesses often provide Capetonians with employment and promote regeneration of infrastructure. See how many South African flags you can find in this barbershop.
This image was taken with an Olympus Trip35, a camera often referred to as "The Poor Man's Leica". I hardly ever switch to a film camera but my project with Paarl based MC Jaak required a different treatment. He had requested a nostalgic feel for some of the images, hence the deviation from the norm. The relationships formed with many hip hop artists have allowed me to visit communities -- such as the one here in Klein Nederburg which I would never have visited on my own. The image taken is an example of how similar the architecture is to that of the Mitchells Plain area, despite the distance.

Found Objects N°21
Music Break. Szjerdene
Soweto Soul

Paolo Patrizi’s photographs of ‘shrines to the shortcomings of globalization’
Italian photographer Paolo Patrizi says about his work on the "Italos":
I used landscape shots to capture the phenomenon of Nigerian prostitution in Italy. My photographs contain the signs left behind by cars, waiting times and customers’ transactions. What emerges is a sub-human condition these women live daily. Some appear as if tricked by the idea that one day their prostitution status will be made legal. I have tried to deliver the emotion and the atmosphere of the eerie places I visited, thus allowing the viewer a glimpse of the littered makeshift sex-camps [...] pits of dirt and abuse, shrines to the shortcomings of globalization.
You'll find Patrizi's full series here. (For more background on 'The Italian-Nigerian Connection': Orlando von Einsiedel's documentary on the topic is informative: part I and II.)
