http://youtu.be/tLyhZlgWIpM

This is a random selection of ten films we don’t know much about, yet, but which we hope to see once completed or screened at the nearest film festival. ‘The Door of No Return’ (La Puerta de No Retorno) follows Santiago Zannou who accompanies his father, Alphonse, to his homeland, Benin, 40 years after he left it. Trailer above.

‘Finding Mercy’ (which premieres at the Tri Continental Film Festival in Johannesburg this month) is about retrieving a childhood friendship in a newly independent Zimbabwe:

[vimeo http://www.vimeo.com/40136444 w=500&h=400]

‘Meanwhile in Mamelodi’ is a documentary by Benjamin Kahlmeyer on life in a Pretoria township during the 2010 World Cup:

‘Healers’, directed by Thomas Barry, highlights the work of The Umthombo Youth Development Foundation and tells the story of how a doctor and a matron at a rural South African hospital in KwaZulu Natal started a groundbreaking scholarship programme to enable local youth to qualify as healthcare professionals:

‘Gardens of my Ancestors’ is a short film by South African filmmaker Tsholofelo Monare:

‘After The Battle’ is an account of two people caught up in the Egyptian revolution:

‘Fidaï’ tells the story of an ex-fighter for Algerian independence, and has had its first screening at some recent film festivals:

‘The Hidden Smile’, a short film by Ventura Durall, set in the streets of Addis Abeba:

‘Walking at Dawn’ is a film by Silvia Firmino, set in Mozambique and premiering at the Dockanema Documentary Film Festival in Maputo this month:

And the trailer for ‘The Marshal of Finland’ had a few people up in arms in Finland. True, having a Kenyan actor to play the country’s most famous military figure is quite the coup.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.