• Rasna Warah

The 60s, 70s, and 80s are often described as the Golden Age of Indian cinema and Nairobi, Mombasa and Kisumu had a large number of cinemas devoted to showing films made in Bombay.

• Vishnu Bachani

Prince Louis Rwagasore, also known as “Burundi’s Lumumba," has been reduced to a political tool by the country's elite, but artists are doing his legacy justice.

• Vik Sohonie

During the COVID-19 pandemic many people who work online were able to set up shop in lands far away from their pre-pandemic homes. But, for whom is the digital nomad lifestyle?

• Boima Tucker

On this month's AIAC Radio we take a visit to Djibouti and explore music cultures around the Indian Ocean that resulted from a long history of Asian and African exchange. Listen on Worldwide FM and follow us on Mixcloud.

• Cassi Namoda

The painter Cassi Namoda situates herself squarely in the artistic history of Mozambique, especially its rich tradition of anticolonial photography, as she turns outwards to the world.

• Yirga Gelaw Woldeyes

The violence of keeping Ethiopian manuscripts in Western institutions.

• Wangui Kimari

Re-visiting Nairobi's urban history offers a glimpse into the forces that shaped modern life.

• Fatma Alloo

Fatma Alloo (of the Tanzania Media Women's Association) on how women used the media and cultural spaces to organize and challenge gender norms.

• Boima Tucker

On Christmas Day, AIAC Radio heads to Trinidad and Tobago to celebrate a unique Black Atlantic tradition.

• Luna Olavarría Gallegos
• Boima Tucker

A new project from Cuban rapper El Individuo humanizes the Cuban perspective, inadvertently flying in the face of the United States Republican Party's agenda.

• Bhakti Shringarpure

What counts as “authentic” decolonization as the term takes over our social media and influencer bubbles? And how we can sharpen our activism.

• John Reynolds

For the peripheries and proletarians of the world—most of the world—Maradona is a symbol of defiance against the football aristocracy, corporate bosses and empire itself.

• Lizzy Attree

Speculative fiction by writers from Africa explore viral apocalypses. What can we learn from art on catastrophe?

• Wilfred Okiche

How has Nigeria’s film industry responded to the protests of #EndSARS?

• Takondwa Semphere

Can we move from temporary shame about our endless consumption of unethically sourced jewels and smartphones to concrete action?

• André Soares

Angolans have made themselves in and out of Angola, in conversation with the world; they carry with them the deep look of permanent uncertainty. But also take with them the smile of resistance.

• André Soares

Ekwa Msangi, realizadora Tanzaniana-Americana, mostra a história de muitos imigrantes com a experiência de uma família angolana de imigração.

• Eke Ndukwe Kalu

Nigerian cinema is obsessed with films about the wealthy. Can class politics shine through?

• Selina Makana

Recent changes affect the daily lives of ex-combatants and other soldiers who struggle to reintegrate into society a decade after the end of the war.

• Sara Salem

How useful is Antonio Gramsci’s concept of hegemony in making sense of 20th century Egyptian politics?