Music Break. Molare
Some fresh coupé-décalé from Molare.
Some fresh coupé-décalé from Molare.

If we could ask our readers (and critics, and everyone else) to pick Africa's most insightful intellectual, who would they pick?

Postapartheid South African music culture is one big cut and paste job.
From Zetina Mosia’s upcoming album “The RoundAbout”, this track: ‘Lately’. We’ve said this before, but the Johannesburg label Iapetus is an exceptional breeding ground for South African artists — remember Fifi the Rai Blaster, Yugen Blakrok, Robo the Technician or Gin i Grindith — with a special mention for Kanif, the producer behind many of […]

When it comes to football punditry, hindsight is the easy way out. So while your very own and brave AIAC published a top 10 list of African footballers who could emerge this year way back in early January, pundits, like the BBC’s Piers Edwards, waited until after the AFCON to make the same prediction. But our early or Edwards’ […]
It’s a mixed bag this week. Kenyan artist Ato Malinda created a video for one of the tracks of last year’s BLNRB album (music is by the Teichmann Brothers, vocals are by Alai K):

The 2012 edition of the Berlinale includes a number of films from Africa or with African themes.
http://youtu.be/afO9RSfdVEA Thinking about Mbalax Dub, got me wanting to share some more of Kaba Blon. It doesn’t seem like they have uploaded anything online yet, and the only song available for purchase I believe is Moribayassa. But, Mo Laudi was playing me some more of their tracks the other day. He had gotten them from a […]
The trailer for Sacha Baron Cohen’s latest comedy, “The Dictator,” where he plays a thinly veiled cut-and-paste Muammar Gaddafi complete with Bollywood remix, Hamid Karzai lookalike rival, camels and 9/11 themed jokes. Tons of teenage boys will go see this.
The rapper formerly known as Mos Def’s take on the Jay Z track with his own song, “N****s in Poorest.”

The diverse histories and orientations of African pop, the diaspora, and its international dissemination and the speed with which culture travels now.
Twelve years after ground was first broken on an oil pipeline between Chad and Cameroon, the documentary film, Quel Souvenir explores the impact of this World Bank sponsored project on local communities from inland Chad to the Cameroonian coast. While the World Bank and oil companies like Exxon and Chevron promised local development along the […]