Friday Bonus Music Break, N°14
Quite the mixed bag this week. ‘Disco Malapaa’ by Arusha’s Jambo Squad above; nine more below.
Quite the mixed bag this week. ‘Disco Malapaa’ by Arusha’s Jambo Squad above; nine more below.
Here in London we have been having a lot of trouble with pageants. After the riots last August, the state is hoping that summer plans – the Olympics, the Hackney festival – will be distraction from the impoverishment of life and extensive violence done by the conservative government to the Welfare State. Last month the […]

What's the story with The Very Best's video for the single "Kondaine," where they teamed up with an American NGO and shot it in very rural Kenya.

A film series in London explores what it would mean imbuing Africa with extra-terrestrial powers. We speak to the curators, Al Cameron and Nav Haq.

Can North Africans define their own futures, away from the inventions of old white men in think tanks in Washington DC?

'Dear Mandela' questions whether the history of South Africa's ruling party obscures its corruption and immoralities. And what kinds of movements it would take to challenge the ANC's power head on.

Yannick Létourneau talks about the genesis of his film about the Senegelese rapper, Awadi. Also, why so many political musicians come from West Africa.

Writing on depression in Africa is a rarity, so Binyavanga Wainaina's book, "One Day I Will Write About This Place," seems singular.

American media should focus on the real political struggles in Zimbabwe and not think that the government of national unity has brought Zimbabwe out of a period of violent political conflict.

The London Festival of Photography has opened, and one of its most appealing features is an exhibition of images by Steve Bloom – Beneath the Surface – a unique document of South African life in the 1970s. There are images of squatters camps, protests (and police violence) in Cape Town, the demolition of buildings in […]

Revisionism pervades popular culture in South Africa now, coloring our perception of the past.
Tchobari duo shot the video for ‘Quem Mandou? (Me Nascer)’ in Catambor, Luanda “to show a different side of our city”.