
The clamor for a ‘credible opposition’ in South Africa?
William Gumede, who wrote a book about the ANC, makes a strange and careless argument--without recourse to evidence--about the ruling party's fortunes.

William Gumede, who wrote a book about the ANC, makes a strange and careless argument--without recourse to evidence--about the ruling party's fortunes.

Saying that blackface is an American thing (everyone now uses this excuse) and therefore not a problem anywhere else, makes you look dumb.

Akomfrah's films gives voice to the legacy of the African diaspora in Europe, and his experimental approach to narrative and structure helped pave the way for the re-emergence of the "essay film" today.

The Fader (yes, they’re still around) has been putting up a series of posts from Johannesburg (Obey You Collective: South Africa) that focuses on “artists, trail-blazers, and bright young talents from South Africa.” (The series is paid for by soft drink company Coco Cola.) Much of it seems to be filmed around the part of the city marketed as Maboneng. In the latest instalment, they published an interview with Tarryn Alberts, part of dance crew, V.I.N.T.A.G.E. (If you remember, Zach Rosen interviewed them for AIAC, here). Anyway, the interview includes this illuminating passage about the Catch 22 for young black people after Apartheid:

How a documentary about a radio station provides a window into aid policy in the Democratic Republic of Congo (DRC).

It’s unclear how big the Gun Owners of America are (the NRA predominates in the numbers and in terms of influence), but it’s important enough that the organization’s lobbyists write bills for congressmen, calling for no gun control, and these usually get passed in the US House of Representatives. We’re also not all that surprised […]

The documentary film. “Zoran and his African Tigers,” shows how harsh and unforgiving international football can be.

Muntu Vilakazi photographs the 'Politics of Bling' on Johannesburg's East Rand.

The 54-storey building in Johannesburg, built in the 1970s, is the tallest residential building on the continent, and subject of a new photobook.

An Egyptian theater company puts on Victor Hugo’s Les Misérables in colloquial Arabic. The choice was no error.

Between 2012 and 2013, an exercise took place known as the France South Africa Season. This bilateral initiative was aimed at strengthening relations between the two countries. In 2012 South Africa hosted France for a wide range of activities and vice versa in 2013. The activities took place in different areas of each country, covering […]

The continued relevance or irrelevance of a musical figure to an African audience doesn't factor into that figure's "rediscovery" outside the continent.