
South Africa’s Very Own David Brooks
Jonathan Jansen channels the worst versions of average center right American ideas in debates about transforming South African universities.

Jonathan Jansen channels the worst versions of average center right American ideas in debates about transforming South African universities.

The "business model" of Bridge International, the organization which claims to solve Africa's education problems, comes under scrutiny.

A film about the separate, and often connected, journeys of two Somali footballers, also refugees, to make it as footballers.

Reflecting on the April 2017 visit of openly gay CNN business news presenter Richard Quest to Nigeria.

Over the past fifteen years, global health has emerged as one of the most prominent faces of American influence in Africa.

Military-to-military relationships have become the dominant mode of U.S. engagement with the African continent, overwhelming cast as institutional partnerships.

Undoing neocolonial power relations that benefit US higher education institutions at the expense of their, mostly global south, “partners.”

Since the arrest of Nnamdi Kanu, the leader of Indigenous People of Biafra (IPOB), by the operatives of the Nigerian Department of State Security (DSS) in October 2015, public protests have intensified, both in Nigeria and its diaspora, calling for the independence of Biafra. The demands include an appeal to the Nigerian government to conduct a referendum on independence. Kanu has since been released from prison (in April this year), but the […]

Fallists draw on scholars and activists like Fanon and Biko, and concepts like intersectionality, to weave together a decolonial framework.

"It was a lifetime performance of lies and false living. I played the role of a homophobic straight guy while I craved to hold the hands of a guy. I worshipped at the temple of homophobes while I prayed for a man to call my own."

We must make a genuine attempt to Africanize the curriculum at the continent's universities.

The exhibition 'Goede Hoop: South Africa and the Netherlands from 1600,' in Amsterdam, is like making your way through a hall of mirrors.