A break from the routine of the work week, a weekend music break for you all to enjoy this May Day!

 

1) Rest in peace Papa Wemba 2) Netherlands-based Cape Verdean singer Gery Mendes asks if our world is really ready for positive change, is it? 3) I’m in the UK right now, so I had to share Stormzy’s latest. 4) London Global Hip Hop outfit Subculture Sage’s video for “Gold” stars two Zimbabwean gold miners. 5) There’s an H&M in Brixton now — M.I.A. invites AIAC profile subject Dope Saint Jude along for her collaboration with the brand. 6) Sean Jacobs spotted this, trap rap video from Northern Nigeria. 7) I’ve noted Kahli Abdu as one to watch for awhile, and he did not disappoint with this banger! 8) The Mavin Records crew out of Nigeria dropped a new one this week. 9) I don’t know much about them, but Chloe and Halle are interesting. 10) And finally, a new Azaelia Banks video just for the hell of it.

Happy weekend!

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.