Weekend Music Break No.69

Still from Red Red's "Ghetto" Video

A general round-up of tunes that caught our ear this week at Africa is a Country, in no particular order.

Martinique-born Jazz composer and pianist, Chassol returns home to film a Carnival-inspired video for his song “Reich & Darwin,” off of his album Big Sun.

Here’s one for the DJs: UK-based Hagan is back with another EP for Italian-Liberian duo Pepesoup’s label Soupu Music. This one I’m pretty sure samples one of those Angolan Kuduro can players.

Liberia’s David Mell moved from Monrovia to Minnesota in the past year, but that didn’t stop him from producing Afropop heat!

South Africa’s Kid X has been turning heads in Africa is a Country circles.

Ghanian “AfricanEDM” duo Red Red release a video with Sarkodie and some great dancers in what looks like Jamestown.

Percy gives “Bonnie and Clyde” a Nigerian update.

The Very Best released their new album Makes a King last week. They have two videos already out from songs on the album. Here is one.

Nigerian rapper Kelvin King filmed a video (called “Freestyle”) in Johannesburg. It’s seems Pan-Africanism is contagious.

Stromae is endlessly pursued by a blue bird.

Last but not least, one big HAPPY BIRTHDAY to Africa is a Country founder, Sean Jacobs!

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.