Moment of Clarity, April 6, 2015: Nigerian (?) Soldiers Dance Skelewu

Screengrab from the Video

“Soldiers in Maiduguri, the embattled capital of Borno state, which has been under constant siege by Boko Haram, celebrate Nigeria’s election to music by Nigerian recording artist Davido” (via CCTV Africa):

https://www.youtube.com/watch?v=LIKH0IlBGdc

CCTV Africa sites top African footballers like Emmanuel Adebayor (is he still around?) and Samuel Eto’o for popularizing Skelewu beyond its Nigerian base. Davido’s official music video–posted on Youtube–has had more than 10 million views thus far when we checked earlier today). Skelewu “is variously said to refer to money, love or elation.” In any case, the video (UPDATE: which may be a few weeks old) is a neat bit of–unintended?–propaganda for Nigeria’s army assailed by the people it claims to protectin Western media media and by its neighbors for its seemingly inept reaction to Boko Haram. UPDATE: We were just informed those can’t be Nigerians–the patterns on their uniforms either indicate Cameroon or Niger and in any case, “no Nigerian would dance Skelewu so badly!”

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.