AfricaIs aCountry

Photo of the Day: Irony arrives to Brazil

Africa Is a Country Podcast
African Five-a-Side Podcast

Photo of the Day: Irony arrives to Brazil

By
Boima Tucker

In today’s news, the mainstream Brazilian media try their hardest to illustrate that protests against, and calls for impeachment of sitting Brazilian president, Dilma Rousseff (for her proximity to the Petrobras scandal), are not solely from the disgruntled “white elite” (one commenter said that the protests looked like a World Cup matches — another that the protests were just a scheme to unload all the overstocked Brazilian National Team gear after their disastrous exit from the tournament.)

Now, we here at Africa is a Country are aware that the media tends to sensationalize racial and social divides in Brazil, however we couldn’t help point out that with just a touch of irony, one lucky contestant (I mean c’mon…) was able to gain his fifteen minutes, by answering the call to fulfill the Brazilian media’s wildest fantasies.

Translation: “White elite against Dilma”

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.