The art and activism of Gabriel Teodros

This past weekend I had the immense pleasure to sit alongside Gabriel Teodros, Bocafloja, and Linda Guyse at a series of panels in (very cold) Wooster, Ohio, for Wooster College’s Africa Week. During the day we discussed with students everything from African identity in the US, the failures of the international non-profit industrial complex, the continuation of American slavery in the form of the US prison-industrial complex, and trying to stay independent amidst the Silicone-Valley dominated corporate music-industrial complex. Many industrial complexes were discussed, and amongst the wide range of topics Gabriel’s sincerity, and the drive with which he pursues both his art and his social activism stood out.

How he is able intertwine these dual pursuits is nicely illustrated in his latest video for Greeny Jungle, a marimba-sampling, classic boom bap rap tune featuring Shakiah and SoulChef. The video was shot during a recent #BlackLivesMatter protest amongst the streets of (neo-liberalizing) Seattle, and features both live performance footage, and Teodros and Shakiah marching alongside their fellow community members. Look out for a heart-warming handshake with a young fan towards the end!

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.