Children’s Books African Kids Could Relate To

While visiting relatives in Nigeria, I found a children’s bookshop in Lagos with no African children or African languages in their books. That day changed everything.

Book Aid International, Flickr CC.

Toni Morrison once wrote, “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” Imagine a world with no Hobbits, no Aslan, no Dr. Who. These English mythologies, love them or hate them, are rampant, bold and provocative. There is a tendency for children’s books set in “Africa” to be somewhat journalistic. Just the facts. The bad ones. Or they are about being black, which most children don’t think about until they’re told to. My first children’s book, The Wedding Week, is a joyful response to the prevailing narrative.

Five years ago, I was doing my dream job: working at Random House in London publishing a list of multicultural children’s books. Unfortunately, it was fraught with unwelcome realities. I was constantly handed manuscripts set in grim housing or squalid rural poverty, peopled with self-hating or one-dimensional black characters. Stories read more like statistics. Selling the diverse books we published was another problem. ‘We don’t have people like that in this area,’ a bookseller might say (they didn’t have local Hobbits or wizards either, but that wasn’t an issue.) While visiting relatives in Nigeria, I found a children’s bookshop in Lagos with NO African children or African languages in their books. That day changed everything.

Concept art for The Wedding Week by Amber Cooper-Davies (Kickstarter Page).

I founded Kio Global, a company that distributes multicultural and multilingual resources for children. Kio exists to ensure that no children feel invisible in the books they read. This year, I wrote our first original resource, a multilingual picture book called The Wedding Week. Set in Lagos, the story reflects a contemporary, urban Africa. Told in local languages, the text is dual Yoruba, Igbo, Hausa and English. The story leads up to Cousin Ayo’s traditional Yoruba wedding, from the child’s eye view of twins Femi and Kemi – and of a neighbourly wall gecko. The Wedding Week explores traditions around Nigeria and the world from a place of modernity and imagination. The story invites global readers to one of Africa’s most iconic, dramatic and exciting events. And did I mention the talking lizard?

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.