Africa Is a Country

On the Journalistic Value of Internet Map Memes

On the Journalistic Value of Internet Map Memes

By
Africa is a Country

At the Washington Post, the Art of Cartography attained such Perfection that the Map of a complex issue, when color-coded in a way that reassured Americans of their innate Superiority over inferior Peoples, could always be relied upon to get way more Hits than any actual Reporting.

Before long, the Washington Post announced that it had abandoned Journalism forever. The following Generations, who liked Reporting but were not so fond of the Study of Supremacist Cartography as their Forebears had been, saw that these Maps were Useless, and not without some Pitilessness was it, that they delivered them up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of those Maps, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Discipline of The Cartography of Bullshit.

* With sincere apologies to Jorge Luis Borges.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.