South African video footage has been freed from the annals of the archives housing our past on VHS. A remix of South Africa’s past and present day is now available in a low-fi video clip collection from CUSS — a group of young Johannesburg artists including Ravi Govender, Jamal Nxedlana, Bogosi Sekhukhuni and Zamani Xolo — on their free-to-air channel, and even more directly to the public in the myriad of TV-selling stores in Johannesburg’s inner city.

CUSS, among other things, subverts the closely guarded collective memory of South Africa’s 90s and takes standard definition video/images as a starting point. They help to remind us of what we know (that 90s TV talk show) and what we more recently barely got to know (that Spear painting). It’s a comment on what’s in the media today, catching throwaway comments that could be lost in the brevity of an un-taped local breakfast show:

(PJ Powers is still talking “poster boys for what South Africa can be”. Really?)

Remixed in rainbow colors is a dismissal of the rainbow nation for all the grey areas in the picture, as well as an attempt to find out where the picture does come together:

Pointing fingers at our middle-classness is also part of the offering of self-reflexive video speak, in an age where “I’ve got to have it!” sets the precedent:

Here is a group of artists who have democratized the image of our past through ripping clips off Youtube to re-author what we once knew. It’s incendiary and strikes chords very close to home for those of us under-30 near the mark of South Africa’s 20-years of democracy.

We were just kids in the 90s, listening in on the excitement of our parents and singing along to the SABC catch phrase: “Simunye, oh, we are one!” Now, we are still one, I think, only less optimistic. That’s Mzansi for sure.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.