Many collaborations and surprise comebacks popped up in our feeds this week. First, this one by Kenyans DNA and Tanzania’s Mr. Nice, who tried his luck in South Africa for a while but now seems to have found his ground again back home:

A Swedish-South African collaboration between Kwaai, Driemanskap, Syster Sol, Mofeta, Kristin Amparo, Cleo and Kanyi. Video by (photographer) Luke Daniel and Neil Wigardt:

Also shot in the Cape flats: this video for Pharoahe Monch in Mitchell’s Plain:

Still based in Brussels these days, Badi (Banx) returned from the DRC with a clip recorded at Nzonga Falls for “Losambo” (part of his ongoing Kin Transit video series):

An American-South African Hip-Hop collaboration between HHP, Omar Hunter El, Asheru, Benn Chad, OneTwo, Projector, Zubz, Cassper Nyovest, Nomadic, Element Lehipi Khalil on “Animals”:

Two new videos for Pan-American Los Rakas’ short “Mi Pais” (which has Raka Dun expressing his American dreams and struggles before joining Raka Rich in the studio — head over to YouTube for full English translations) and “No Tan Listo”:

http://youtu.be/h95ni5yPbAM

There’s a new single and video for Coely, who’s mostly filling Belgian clubs at the moment, but we can see that changing soon:

Johannesburg producer Alkabulans’ instrumental “Cross-Dimensional Symmetry”. Trust South African Iapetus Records to surprise us:

London combo Anthony Joseph and his Spasm Band recorded this video in Berlin for “Started off as a dancer”:

And since it’s been a while we included some Cabo Verde music here: old master Zé Luis performing “Ku Nha Kin Bem”:

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.