This year’s turning into a good year for quality music videos. Here’s another selection of 10. First one below is a single from Durban’s Nandi Mngoma’s new album (she has a fancy blog though there’s more chance of catching updates via her Twitter account): South African dance as you know it.

Next, finally here: the first video for OY’s debut record — remember Boima’s recent write-up — delivers. Shot in Accra, Ghana. YouTube notes tell us the dancers are Bugi Bust. Well here you have it:

http://www.youtube.com/watch?v=nJM_0ghPd80

Also shot in Accra is this video for Tawiah’s “FACes”, off her upcoming mixtape album, FREEdom Drop (yes, that’s Wanlov and Mensa in the clip):

There’s Josephine, born to a Liberian mother and Jamaican father, describing herself as having “enjoyed the advantages of a colourful West African culture as well as feeling intrinsically British”. Can’t possibly do wrong:

A beautiful oddball by SKIP&DIE whose singer Catarina Aimée Dahms, aka Cata.Pirata, is South African:

(They know how to throw a party too.)

New video for Afro-Panico’s “Matimba”. Filed under: Afro-House | Kuduro | Pantsula:

Brazilian Pan-African rap vibes from Ba Kimbuta on “Consumo” (over a Mulatu Astatke sample):

Mo Kolours also released a new video for his “Promise” tune:

There’s Outspoken & The Essence’s “own interpretation of Hip-Hop”. The track, called “The SlaveMasters Whip,” is a first from their upcoming Nomadic Wax-produced album Uncool and Overrated: God Before Anything:

And finally, on high rotation ever since it came out this month: “Azamane Tiliade” from Bombino’s album Nomad, produced by Dan Auerbach. Play it loud:

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.