Zimbabwean Activist Jestina Mukoko ‘Released’

On Sunday, Jestina Mukoko, Executive Director of the Zimbabwe Peace Project, was ‘released’ from prison. Her defense attorney and fabulous feminist human and women’s rights attorney Beatrice Mtetwa, among others, greeted her. Yes, it’s springtime in Zimbabwe, as in Zimbabwe Spring … except that it’s not. Friday was International Women’s Day, #IWD2013. To honor that, the Zimbabwean government organized a fake flight and a fake hunt. The government claimed that Jestina Mukoko was on the run. By all accounts, she wasn’t. The government put out an all points bulletin on Jestina Mukoko, organized a full-scale media appeal, pleading with ‘citizens’ to ‘notify the authorities’ if she was spotted.

Not knowing that she was a ‘fugitive’, Mukoko walked into the police station and turned herself in, if that’s the right phrase. And she was held in police custody and interrogated for two days.

Jestina Mukoko is no stranger to Zimbabwean prisons. In 2008, she was held and tortured in prison. She has since sued the government for having tortured her. The Zimbabwean Supreme Court ordered a permanent stay of execution. As the weekend’s events show, ‘permanent’ is a fluid concept.

Some fear the ‘return to terror’, while others hope for something called healing. Others in the media note the use of the media to persecute Jestina Mukoko. Of course, they mean ‘the other media’.

So … happy International Women’s Day, Zimbabwe! Meanwhile, once again Jestina Mukoko is described as ‘released.’ Released? Really?

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.