The New York Times, in its infinite wisdom (it comes with being The New York Times), decided that one of the paper’s reporters, one Brooks Barnes, should write what amounts to a fluff piece (it’s not actual reporting) splintered with quotes in the “Fashion & Style” section about actor Ben Affleck’s supposed maturity and all-round goodness. Affleck, who we like to refer to as Life President of the Democratic Republic of Congo, is held up as “Hollywood’s New Role Model” and as the “new Hollywood paradigm for masculinity.” His qualifications are being a husband, parent, and, yes … “eastern Congo philanthropist.” So the DRC is a prop for “the way to be cool now” in Hollywood. I know someone’s going to tell me this is all good fun. Thank you Brooks Barnes. Link.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.