Challenging stereotypes about Africans in Toronto

In Between Stories is a short 2012 documentary directed by Roda Siad. Originally Siad’s Master’s thesis in Media Production at Ryerson University, the film offers a portrait of four young artists of African descent living and working in Toronto. The film draws a connection between one-dimensional media portrayals that focus on war and crisis in Africa, and negative perceptions of predominantly black communities in Toronto. The false depiction of Africa—and by extension Africans—as chaotic, violent, and dangerous, Siad’s film implies, leads to similar stereotypes being applied to Africans in the diaspora. The film’s subjects, however, offer a way out of this miasma. Watch it first:

The four artists depicted in the film are creating works that often directly address and seek to counter both stereotypes of Africa, and of communities such as Toronto’s Regent Park. At the same time, their own intelligence, creativity, and talent demonstrate (and it is regrettable that, in some quarters, such a thing remains necessary) that there is much more to the African diaspora than crime and violence.

The perspectives of Africans living in Europe and North America (many of which can be found on this website!) provide a valuable counterweight to Western media portrayals of the continent. Too often, however, these voices are marginalized because disaporic Africans too are victims of stereotyping. (Not to mention the structural racism and sexism that sees most senior positions in the media filled by white men.) In Between Stories performs the important service of drawing attention to these problems and of giving voice to young Africans’ perspectives on Africa.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.