Well, the snowstorm in Boston will be shortening the length of the conference, and the performance by Debo Band has been cancelled. However, Harvard’s Africa Remix Conference will be on and live today, Friday, February 8th.

A lot of interesting folks will be presenting, including a keynote speech by Francis Falceto, the owner of the Ethiopiques record label. I am presenting in a panel called Producing Global Sounds, and will be talking about my experiences and practices as a 2nd-generation Sierra Leone diasporan and DJ. If you are conveniently in the Boston area you probably don’t have to go to work, so stop by!

For those of you who don’t want to brave the weather, or don’t live within reasonable distance from Cambridge, Massachusetts, follow the conference on twitter with the hashtag #AfricaRemix starting at 8:30am Boston time. The presentations are being recorded and will eventually be posted on the web, so we will share them with you in some form at a future date.

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.