Ethiopian striker Adane Girma plays for the home team

It is a positive that major cable networks are bothering to relay the results of the African Cup of Nations, though it is a shame their offerings remain annoyingly Eurocentric. After Alain Traoré equalized for Burkina Faso yesterday, CNN gleefully reminded the viewers at home that Traoré played his club football for Lorient in France! Adane Girma’s inspired response for Ethiopia drew no such parallel reference. For the record, Girma plays for St George FC in Addis Ababa. Ethiopia’s premier football club was formed in response to Italy’s invasion in 1935 and has long been a symbol of Ethiopian nationalism. Now that I would have thought is information the average CNN viewer could share with their cappuccino.

Ethiopia is one of the few teams composed of mainly “home” based players. A significant number of South Africa (in fact, the majority of their squad and team), Angola, the DRC, Tunisia and Morocco’s squads, play for domestic clubs.

There are plenty of home based players, but when western media comment on their contribution they almost never acknowledge the home based club, whereas when a player who plays in France, England or elsewhere in Europe scores, we are bombarded with references to the European club. Tuesday’s Ivorian goals were almost trademarked as the property of Manchester City and Arsenal, respectively. However, when, for example, Tresor Mputu clawed a great goal back for the DRC, there was no mention of TP Mazembe despite their seismic contribution to African and world club football. It’s tiresome and disrespectful, and also says much about control of the “product”. It’s unfortunate anchors and commentators of various backgrounds and genders representing all the major western media seem to stick to this script.

Post Script. That the St George FC’s stadium was largely bankrolled by Mohammed al Amoudi, a Saudi businessman who according to Forbes Magazine happens to be the richest black man in the world may be material for a whole CNN special or campaign. (BTW, below a reader, Arriam, reminds us Al Amoudi is partly of Ethiopian descent.)

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.