The Globe and Mail ran with an article this weekend titled “In case you missed it: This is the African Century”. If anyone is getting excited by the sarcasm oozing from the headline, anticipating a scathing critique of the hope/ful/less cliché of African futures, let me assure you that your enthusiasm is misplaced. In the language of post-World War 2 modernization theory, the article pronounces that African economies are in the process of “take-off” en route to accelerating through the stages of development required to reside in the world of ‘high mass consumption’. We just can’t extricate ourselves from the “they are what we once were” trope as the article celebrates that Africans are finally doing things (like commercializing agriculture and urbanizing) which were responsible for ending mass starvation in Europe and North America 200 years ago.

Is Africa in a perpetual state of behind or finally catching up to the developed world through the implementation of sound economic devices? True to modernization’s principles, the message is that if only they follow our lead, so the goodies of modernity will manifest. Indeed, we learn from the article that more Africans now have phones than toilets. What are we to take from that? Africans may not be able to ablute and flush, but can connect to the world (or at least call their moms)? Articles like this serve nothing more than a dying capitalism. They help obscure the manner in which Africa has historically been integrated into global capitalism. They give succor to old ideas in an effort to refuse the potential for new ones.

In a more revealing move, the former police chief and now International Co-operation Minister, Julian Fantino on Friday pledged that a chunky portion of Canada’s development assistance would be administered through mining businesses. Company colonialism anybody?

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.