Africa Is a Country

Hugh Masekela’s ‘Stimela’ gets a makeover

Hugh Masekela’s ‘Stimela’ gets a makeover

By
Johan Palme

Wynter Gordon's remake of 'Stimela' suggests more challenging possibilities.

Hugh Masekela in 2012. Image credit Mário Pires via Flickr.

Wynter Gordon, theR&B singer-songwriter, is taking a considerable step outside her comfortable mid-commercial range with her new single, “Stimela,” and its self-directed video, but it’s hard to argue that it isn’t reeking of the worst type of structural World Music arrogance. It practically has it all: the cleverly metaphorical words from Hugh Masekela’s lament of migrant workers reduced to exotic vocal effect. (Or are they? “Running, running…”) The full gamut of stereotypes of Africa – wilderness, tribalism, “wisdom and truth” and the ignorant generalization of having a tiger to represent Africa. Watch:

But something in the blinking, refracting shadows of the video and the Weeknd-inspired cross-linking swirl of wavering sound suggests more challenging possibilities: borders dissolving between human, animal and machine, and between certainties and stereotypes. “I’m a hostage in this skin,” she sings, yet somehow the music and images make escape from the power structures sound eminently possible.

And here’s the original:

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.