Yes, I’ve been listening to pop music a lot. You get work done and don’t have to think too much. First up above is Nairobi’s Camp Mulla and their generic rap pop.

Then Nigeria’s Iyanya presents “Ur Waist.” Yes, he could not have been more obvious:

More Nigerian pop: “Fine Lady” by Lynxxx (featuring Wizkid) with its brief Fela sample.

Might as well get continental here. Congolese pop from Shakalewe:

… and Zambian pop from B1 and Debra:

Congolese-French rapper Youssoupha pays homage to his father  — 1970s Congolese rumba star Tabu Ley Rochereau (Google him if you don’t know):

Cane Babu and Young Starz Basagalamanya Squad from the Ugandan capital, Kampala, where the desperate ruling party puts forward 19 year olds for election to Parliament:

Second generation Cape Verdean migrants to The Netherlands shout out Nelson Mandela and the modern state’s founding father Amilcar Cabral:

The Ghanaian-German singer Y’akoto, all neo-soul, with “Good better best”:

And Brooklyn-based Kilo Kish shot this video around Manhattan:

* Bonus: I’ve blogged about this South Sudanese immigrant rapper (more marketing genius) based in Australia before:

http://www.youtube.com/watch?v=H8VoiVi-yJA

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.