AfricaIs aCountry

Fighting Pop

Africa Is a Country Podcast
African Five-a-Side Podcast

Fighting Pop

By
Dylan Valley

http://vimeo.com/41242490

Congolese/South African (via Belgium) musician Yannick Ilunga, AKA Iamwaves, has been rather busy lately. His group Popskarr, a new ‘electronic/Nu Disco/Misty Pop’ outfit, has just released a stylish single called Fighter; and as his alter ego Petite Noir he has released a mixtape for Okayafrica’s ‘Africa in Your Earbuds’ series (which earned him a tweet shout out from Questlove of The Roots) and a new video for ‘Till We Ghosts’ (above). He calls the music he makes ‘Noir Wave’, an African take on New Wave and Post Punk. It’s an interesting scene to be in, one that has produced genre-busting electronic acts such as Spoek Mathambo and (my personal favorite) Dirty Paraffin. While both those acts have been truly groundbreaking (both equally Afrocentric), Popskarr/Petite Noir’s nod to Bloc Party front man Kele Orekere’s solo stuff is unmistakable, including all the hipster-pandering that comes with it. However, this is something that — with a bit of guidance and experience — Yannick can easily outgrow over time. Personally, I’m looking forward to his future releases.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.