Nowadays we’re doing multiple #musicbreaks on Twitter and Facebook when the spirits move us. We figured we’d put the ten favorite ones up every Friday as our #BonusMusicBreak. First up, old school jazz man Pharoah Sanders is still doing it. Here’s a video (uploaded this week on Youtube; recorded last year) of him and his band playing (and him getting down):

http://www.youtube.com/watch?v=1N3kd5NAWeM

Since we’re on the old schoolers. Here’s the video for Ebo Taylor’s ‘Ayesama’, shot in his hometown of Saltpond (Ghana):

I really like Lee Fields. You’re The Kind of Girl:

Zimbabwe celebrated its independence this week. Here’s Tendai, one half of Shabazz Palaces with “rhodZi” (the video is directed by Seattle-based filmmaker and critic Charles Mudede):

California-based Ethiopian artists Meklit Hadero, Gabriel Teodros and Burntface combine to form CopperWire (H/T: siddhmi):

‘Bang Bang’ by one of Sean’s New School students, Selena Dhillon (originally from Toronto) featuring Humble The Poet:

THEESatisfaction’s “funk-psychedelic feminista sci-fi epics”:

Nicki Minaj is selling ice water in Accra? Zongo!

http://youtu.be/Zk9_FcuX4Jk

Boima: “Yup, I’m a fan.” PR: “Sierra Leone’s Premier Rap Guy From Freetown Releases His Long Awaited Video Featuring Farda G. Shot Entirely On Location In Freetown The Vid Promises To Be Raw, Grity & Strictly Hip-Hop”:

Finally, kuduro baile from Germany; Gato Preto’s ‘Tschukudu’ (H/T: TropicalBass):

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.