I was in Dubai recently, working on a documentary, and on the way back to Cape Town I visited Ethiopia to see some friends and experience some of the Ethio-jazz music I had fallen in love with ever since I first heard Mulatu Astatke and the “Ethiopiques” compilations. Even though I had high hopes, Ethiopia completely exceeded my expectations. On my first night in Addis, I was lucky enough to see an Ethio-jazz funk band called The Nubian Arc play live. For me the standout performance was by Samuel Yirga Mitiku, a young piano prodigy, who also plays in the acclaimed UK-based band Dub Collosus, known for their blending of dub and Ethiopian traditional music. Samuel’s solo stuff is particularly interesting, as he revisits traditional Ethiopian folk songs, with their unique scale progressions and ancient, mystical sounds, giving them a contemporary jazz interpretation. You can sense in his interviews that his aim (like Mulatu before him) is to preserve Ethiopia’s rich musical heritage, and after listening to those fingers play you know it’s in good hands.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.