Senegal voted this weekend. Abdoulaye Wade is gone after 12 years. Macky Sall, once Wade’s protege and variously prime minister and minister of mining under the old man, is now in charge. Only Senegal’s fourth President since independence in 1960. So not a clean break with the past (though the two did fall out over the role of Wade’s son Karim in government affairs). We hope to have a few post election analyses posts up in the next few days. Till then enjoy the exuberance of “the dancing man” filmed (with a cellphone?) by Al Jazeera journalist Azad Essa in Dakar last night.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.