Not only is it Human Rights Day in South Africa today (read up on its meaning by searching our archive for ‘Sharpeville’), this day 22 years ago also saw Namibia wrestle itself officially free from the same Apartheid claws that were responsible for the massacre in Sharpeville. Which makes it a day both to remember and to celebrate. I’m picking up the Independence Day meme of popular music we started last year. 5 Namibian tunes. First up, Overitje group Ondarata’s ‘Tuvare Tuakapanda’:



Patrick, Deon and Kamutonyo (aka PDK) mix Portuguese, Oshiwambo, Kwangali and Umbundu in ‘Moko’:

The prolific Tate Buti with Kamati Nangolo:

http://www.youtube.com/watch?v=UPe4dt6j8_E

A bit older: Exit’s ‘Molokasi’:

http://www.youtube.com/watch?v=nM_Rf0vSppU

And Gazza’s love song to Seelima:

http://www.youtube.com/watch?v=guHKuSsO19A

You can dance to it.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.