Our weekly round-up of new (and a little less new) music videos. First, this great video for ‘I Am An African,’ the first single of Dutch-Ghanaian artist Papa Ghana’s EP ‘I Am An African.’ (The song came out last year).

The video for Nigerian singer Nneka’s latest single, ‘Shining Star’ shot on the Canary Islands in Spain:

Harlem, New York based emcee Rugz D. Brewler‘s race conscious anthem, ‘Cuz I’m Black’:

Yasiin Bey (the former Mos Def) performed N.I.P. at Radio Nova in Paris this week (remember that track, including the line: “Prince William ain’t do it right if you asked me, if I was him I’d put some black up in the family”). He also did this new ‘Sunshine Screwface’:

http://vimeo.com/38084710

A music video for ‘Past, Present and Future’ off “The Extraordinaires” by the Zambian-Canadian collaboration, The Holstar and Teck-Zilla. It includes a cameo by Zone Fam:

http://www.youtube.com/watch?v=cV__oFHNsT8

And Sean is taking a group of New School students to Cape Town this summer. He plans to make this music video compulsory as a language lesson:

http://www.youtube.com/watch?v=UAOJ4VL9Xg4&

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.