The Presidential Palace

Paris burned in 2005 and it has been left smoldering since. That's the message of Paris Is a Continent, Number 9.

Image by Philippe Leroyer, via Flickr CC.

Watching French president Nicolas Sarkozy’s speak in Marseille (France’s second city) on Sunday night, in what is his second speech since announcing he’s seeking a second term, I was hoping for a reference to how the European financial crisis has hit the banlieueus, where most of France’s poor and minorities (mostly black and Arab) live. I should have known better.

Sarkozy’s words on the European financial crisis referenced the “Greek civil servant with his salary cut” and “the Portuguese retiree with his pension cut” and that “France was not swept away by a crisis of confidence”. He’s talking confidence in the French economy, not in his person. Presenting himself as the country’s savior (“I’ve avoided France from a catastrophe”), he showed himself the ‘respectable’ fanatic people have started to suspect him to be. Anyway, what I’m trying to say is this: there’s not much difference between France and Greece.

Paris burned in 2005, as French-Cameroonian rapper Mac Tyer reminds us in his new ‘Justice‘ video, and it has been left smoldering since. That’s all I want to say.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.