Al-Andalus in East Africa

The clear signs of African influence on the Arabian Peninsula and the cultural fluidity that exists throughout the Indian Ocean.

A dhow in Zanzibar (Public Domain image).

The English edition of Al-Akhbar has published an article by Amal Ghazal, author of the book, Islamic Reform and Arab Nationalism: Expanding the Crescent from the Mediterranean to the Indian Ocean, 1880s-1930s.   The article, like the book, provides an accessible historical review of the Omani empire (perhaps skewed a little to the Omani perspective), and its former capital Zanzibar, on the east coast of Africa that Omanis refer to as their version of Al-Andaluz. I have to say that one of the things that impressed me the most during several visits to the Arabian or Perisan Gulf over the past couple of years are the clear signs of African influence on the Peninsula. It made me think a lot about constructed notions of African vs Arab identity, and the cultural fluidity that exists throughout the Indian Ocean in general.

That’s the kind of history that isn’t generally celebrated or even taught in schools in the West, and I got the impression that folks on the Arabian peninsula weren’t so used to celebrating their African heritage themselves. So to learn that in Zanzibar there were nationalist efforts to erase such histories doesn’t come as a huge surprise.

On a related note: while many Muslims from West Africa live in Saudi Arabia and throughout the peninsula, in light of a history of forced separation, it’s fascinating that the majority of African immigrants I run into in Dubai were Christians from East Africa. Globalization wins again I suppose.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.