http://youtu.be/il7o5zG7jB0?t=12s

Sarkodie takes a break from the Azonto and jumps on a Hammer beat, getting back to his rap (Hip-pop? Tema-pop? Hip-life?) roots. The interpretive dancing, and artsy black and white beach shots make it seem like the director has been watching some Ingmar Bergman.

The track, featuring Obrafour on the hook, is from “Rapperholic,” a recently released album. I don’t think this is the much anticipated (by me) Konvict music album, but I’m excited to hear it regardless.

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.