All of the party

A mix of French hip hop and smooth R&B dominates this installment, Number 5, of music from the French capital. Paris is a Continent.

David Beckham playing at his last club, LA Galaxy in the MLS (Anna Enriquez, via Flickr CC).

Not sure what it says about France that the headlines in Paris are dominated by stories that Dominique Strauss-Kahn, who sexually assaulted an African woman working as a cleaner in a New York City hotel, is being portrayed as a victim of a conspiracy. To top it all, David Beckham, a semi-retired 36-year-old English player is entrusted with bringing back glamor to French club football (he signed with Paris Saint Germain).

Meanwhile, a mix of French hip hop and smooth R&B dominates this installment of music from Paris.  This week is a short offering since I am going on vacation today.

First up,  the Tunisian rapper Sniper featuring Sexion d’Assault on “Blood Diamondz.” (You may remember that Sexion d’Assault was, until recently, known more for their homophobic outbursts than their music. They claimed to have left hate behind.)

For now, here are two: first, Marseille-born singer Kenza Farah featured on the song “Tous de la Fête” by Dibi Dobo (his family comes from Benin). Kenza Farah’s family is Kabyle from Algeria. Their collaboration features the pan-African spirit that exist among Africans, whether from North and Sub-Saharan Africa, in France.

Then there’s Evanz, a singer discovered by La Fouine, and her song “Ton Silence,”  The song features rapper Soprano.

 

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.