Music Break. Friday Bonus Edition, N°1

Girl Power is big among female West African pop singers.  Or so recent music videos suggest. We’ve featured Goldie Harvey and Lousika (Ghana) here before. Now here’s two more. First up is Ghanaian Efya with “Sexy Sassy Wahala,” from the soundtrack of 10-part Ghanaian movie “Adams Apple“:

Next up is Nigerian singer Zara Gretti:

Related: Jogyo, one half of whom is from Gabon:

Unrelated: The Congolese-American (is there a meme here?) Hugo Million is building a following back in the DRC, while mixing party and political music (not unusual to Congolese artistes, of course). Here, from a few months ago, is “Benga Nzambe,” which takes a political tone and which is appropriate given the volatile climate around elections in the DRC now:

Finally, some French rap “made in Normandy!” HVJ du Coeff & Jeune Karn with “Les égouts de l’underground’:

H/T: Okayafrica, What’s Up Africa, Tom Devriendt

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.