A lot of music we like don’t come from Africa. Like this one from Dengue Fever, the California-Cambodia combo: an Indonesian protest song “Gendjer Gendjer.”

… [T]he song was originally written during the Japanese occupation of Indonesia during World World II when food was so scarce that people resorted to eating Gendjer, a weed that grew in rice fields. The song re-surfaced in the 1960s in Indonesia when there was a violent military coup and government crackdown on communists and ordinary citizens–a period of political turmoil dramatized in the movie, “The Year of Living Dangerously.” “Anyone caught listening to or singing ‘Gendjer Gendjer’ was considered an enemy of the government …”

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.