Since we’re back to our Independence Day meme, yesterday was Guinea-Conakry’s day. (Yes, Sean’s fault again.)

Looking south from where I live, it’s tempting to think of, say, DJ Oudy as being the big star. But that’s because Paris lies somewhere in between here and Guinea. And the Guinean diaspora does a good job at clouding the French perception. Europe offers them all the right studios, the marketeers and the bling. And the resulting videos are quite something. (You must have seen ‘Tchoumakay’ by now). In Guinea though, they’re listening to Tiranké Sidimé:

Les Jumeaux:

And Momo:

I’m going for the Guinean sounds. Here’s to a fair election later this year.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.