It was Core Wreckah who first put us on to Lesotho rapper Kommanda Obbs a while ago. Asked for some background about this video, Kommanda tells us that “Ts’epe was shot in the mountainous villages of Bela Bela and Maputsoe in Lesotho. The aim of the song is to instil confidence in youth so that they embrace their cultures while learning about other cultures. The video introduces the album, the movement and the official Sesotho version of hip-hop. ‘Ts’epe’, which could be translated literally as ‘iron’, is used figuratively in this context as hard-hitting lyricism. The radio dj’s in Lesotho and certain parts of South Africa are really supportive. The video is currently playing on Lesotho TV.” We can see why.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.