Last week the Congolese film “Viva Riva” won “The Best African Movie“* award at the MTV Movie Awards. That’s the kind of publicity African films can’t buy and should count for something when the film opens in New York City, Los Angeles and Portland (OR) this weekend. (It is calculated that foreign films make up 2% of screens in US cinemas and African films only make up a small percentage of that total.) Set in Kinshasa, “Viva Riva” tells the story of “Riva … a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline.” Riva is trailed by an Angolan crime lord (whose gasoline he stole) and complicates matters for himself by falling for the girlfriend of a local gangster. This is not high-minded French funded “cinema.” It is a gangster movie. The PR describes the Kinshasa of the film as “… a seductively vibrant, lawless, fuel-starved sprawl of shantytowns, gated villas, bordellos and nightclubs and Riva is its perfect embodiment.” Advance publicity also emphasizes the explicit nudity and violence in “Viva Riva.”

Above is the trailer and here, here, here and here are interviews with the director Djo Tunda Wa Munga. And here and here are early mainstream (US) reviews. And here’s the details on where it is playing in the US. See also the film’s official site.

* The other finalists for the award were “A Screaming Man” (Chad), “Life, Above All” (South Africa) and “Restless City” (Nigeria).

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.