http://www.youtube.com/watch?v=LTRmpJ_EpJE

Dub Colossus member Samuel Yirga “plays one night a week in Addis’s only jazz club/coffee bar, where the way he mixes Keith Jarrett and Herbie Hancock with Ethiojazz has won him a cult following.” He says:

I take traditional music and turn it around, and people in Ethiopia are starting to listen to the way it swings now. Our musical culture is under attack from inside and out, it’s all rock bands, hip-hop groups and pop singers, and nobody can afford to run a big band.

Via Real World Records.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.