Riveting piece of journalism in this weekend’s New York Times Magazine as well as an accompanying video piece (narrated by correspondent Barry Bearak) on the ordinary murder of a Zimbabwean migrant and widespread mob “justice” in Diepsloot, a squatter camp to the north of Johannesburg. The piece is generally good.  As one friend remarked: “To his credit, Bearak’s clearly made an effort at getting to know Diepsloot and writing a good story. While it has a whiff of Rian Malan‘s ‘Hammerman’ tale towards the end, with the white man’s discovery of and fascination with muti, etcetera, it is generally good, and didn’t stray into laziness.” So go ahead and it.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.