“Skoonheid,” the new film by South African director Oliver Hermanus will be screened in the Un Certain Regard section of this year’s edition of the Cannes Film Festival (starting next month). He is in good company. Check the Cannes site to see who else got invited.

The film is also the first Afrikaans film to be included in Cannes Film Festival’s official program. The film–the title translates as “Beauty”– “… tells the story of Francois van Heerden, a mid-40s, white, Afrikaans-speaking family man living in Bloemfontein, who has become devoid of any care or concern for his own measure of happiness, and so convinced of his ill-fated existence, that he is wholly unprepared when a chance encounter unravels his clean, controlled life.”

I like the film language of Hermanus (he studied film at the University of Cape Town, UC Santa Barbara and the London Film School), so I’m looking forward to seeing it whenever. Hermanus’ debut film, “Shirley Adams,” which I saw at the New York African Film Festival last year, a claustrophobic film about the desperate lives of a working class woman and her disabled son, is definitely worth a look.

Sources: Film Contact, Festival du Cannes, Screen Daily

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.