AfricaIs aCountry

Teju Cole takes the City

Africa Is a Country Podcast
African Five-a-Side Podcast

Teju Cole takes the City

By
Sean Jacobs

Our man Teju Cole’s novel “Open City,” set in post-9/11 New York City, is doing better than very well. The critics can’t stop raving about it. Now people need to buy it. A lengthy review in “The New Yorker” (reviewer James Wood writes: “Cole has made his novel as close to a diary as a novel can get, with room for reflection, autobiography, stasis, and repetition”). The review was illustrated with a full page drawing by Swiss graphic artist/designer Grafilu (above). New York Magazine’s popular “Approval Matrix” deemed it “high-brow brilliant,” The Daily Beast‘s reviewer liked it, The New York Daily News, so does Bookslut, etcetera. Cole was also interviewed by NPR, by David Ebershoff (watch the video at the link), his Random House editor. Even The New York Times is on board (“a masterly work”).

You can also keep with him at his website. (Also, get his earlier novella, published in Nigeria, “Every Day is for the Thief.” Congratulations to Mr Cole.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.