Thanks to HavePlentyMusic I saw that big time house producers experimenting with Kuduro for a few years, are perhaps finally ready for Coupe Decale (Click through to listen to the remix). Kind of full circle really, as I really think Bob Sinclair’s and similar productions were a big influence on the sound of Coupe Decale, and the Euro pop surge of Magic System, Jessy Matador, et al to begin with. Boddhi Satva a house producer from Central African Republic is the perfect ambassador to bring it to the scene at large. Watch him shake his Bobaraba in a recent video interview.

Traxsource who is selling a DJ Arafat (Côte d’Ivoire) single as remixed by Boddhi describes it as “real African music.” I’ve noticed that while sites like Traxsource and the house scene in general have managed to support music that helps to redefine notions of what “African music” means, there is a tendency at the same time to hold the music back dealing in descriptions that rely on rehashed stereotypes and notions of authenticity.

Boddhi Satva does more, real Central-African-Belgian-House-Remixing below:

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.