http://www.youtube.com/watch?v=Xwe_xNEUgxA

The UK (via Jamaica) toaster, Tapper Zukia’s “MPLA” off the album from the same name. Because the song (and the album) came out in 1975, some made links to the Angolan liberation movement, the Movimento Popular de Libertação de Angola, who that same year formed Angola’s new independent government (after a protracted liberation war against Portuguese colonial rule). This fan video–with its Cold War and anti-colonial images–contributes to that myth I suppose. Instead, the song was more about Rastafarianism and a reflection of 1970s London black identity politics.

H/T: Tony Karon.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.